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Best Features of Travis Scott

“STRAIGHT UP!” “LA FLAME!” “IT’S LIT!” In ten instances out of ten, those adlibs magnify the greatness of any song cheap Travis Scott blesses together with his signature vocals. It doesn’t remember if he chooses to switch up his vocal transport thru Autotune or cross all-herbal – the man that calls himself “LaFlame” or “Cactus Jack” brings a lot to any artist’s song he chooses to help. Travis has regarded many songs that feature a who’s who of current-day (or even past!) hip-hop royalty).

He’s even dipped his ft into the booming genres of reggaeton, EDM, and R&B. 19 songs exhibit Travis at his sheer quality. We’ve so come about to have compiled 19 of those tracks, and we’re hoping you’re going to feature them (or already have delivered) in your daily playlist.

‘Zeze’ with Kodak Black and Offset

When those Caribbean steel drums come over the loudspeakers and deliver that familiar riddim, you understand the membership’s about to get thrown into a frenzy. As soon as this song receives going, the primary voice you hear is Travis, and he comes through with a chorus that sticks with you forever. The manner Travis slides over this party-pleasant music is masterful.

‘Dark Knight Dummo’ with Trippe Redd

Travis joins fellow eccentric rapper Trippie Redd on this bass-heavy song to carry nothing, however, madness. Both sound like lengthy-lost twins and may speedily convince first-time listeners that they must do more songs together. Travis meshes so correctly with the chaotic manufacturing of this music with considered one of his sport-triumphing Autotune verses.

‘Top Floor’ with Gunna

Travis plays double duty right here over this Gunna banger. The chorus shipping is pinnacle-notch (unsurprisingly), and he makes positive to drop off a verse that delves into his profitable and once-in-a-while poisonous existence as a movie star. The beat is brutal, and Travis makes sure to supply it with a refrain and some bars to make it sound even tougher.

‘Let It Fly’ with Lil Wayne

You’d be forgiven for wondering if this becomes a misplaced Travis album reduced because he kicks off the record with a short refrain that leads right into a super dope verse. But you’d be incorrect in wondering – this document belongs to Lil’ Wayne. It is featured on Tha Carter V. It’s becoming that Travis calls himself “Mr. Michael Myers” in this music because he audibly murders this music with Weezy F. Baby in tow.

‘Rerun’ with Quavo

Travis will step directly to trip it and supply his unmistakable vibe if there’s a wavy beat. This music perfectly embodies that method and features Travis & Quavo running in tandem. This collaboration comes off nicely and has the potential to transport listeners somewhere greater high above the clouds.

‘Go Legend’ with Big Sean

Metro Boomin supplied one of his most brutal beats to the Detroit legend that is Big Sean for this one. You realize it’s going to be a traditional as quickly as that Diana Ross voice sample seeps via your headphones. Travis makes a look here with a celebratory chorus that’s simple and catchy as all hell. “We go legend, we pass legend (Yeah, yeah).”

‘Big Shot’ with Kendrick Lamar

Kendrick Lamar and Travis join this track to describe the top-notch benefits of being recognizable ballers. K. Dot kills it constantly, and Travis makes sure to now not to get shown up by including a fireplace verse. The shoutout to Pimp C and the entire bar about him “runnin’ thru these waves like I’m Moses” stands proud within the quality ways viable. Wakanda Forever, indeed.

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